In his second collection of short fiction, 'Great Dream of Heaven,' Pulitzer Prize-winning playwright Sam Shepard offers a resonant examination of interpersonal crisis and revelation in 18 lean tales. At times humorous, tense, and tragic, these stories often focus on the elusive search for connection and understanding, visiting characters at key moments of consciousness or detachment. Seized by compulsion or repression, many in this work disengage from life by assuming familiar roles or patterns. In "The Stout of Heart," a man obsessed with horse breeding locks himself in his room annually to study catalogues, shutting out his family, while in "An Unfair Question," another man's frustration with his role as husband and father surfaces when he engages a party guest in friendly conversation and ends up holding her at gunpoint. These stories achieve an understated impact due in part to Shepard's knack for acute dialogue and descriptions that reveal his dramatist's eye for sparse but evocative detail. In "Living the Sign," a handmade sign in a fast food restaurant inspires a man to self-awareness, though he finds that its teenage creator is only dimly aware of its significance. "The Remedy Man," the collection's first and strongest story, tells of a guarded boy who comes to realize his potential by helping E.V., the road-worn title character (a fixer of bad horses), break a stallion. "Horse is just like a human being," E.V. tells him. "He's just gotta know his limits. Once he finds that out he's a happy camper." Offering many such moments of distilled wisdom, the stories in Great Dream of Heaven are no less brief but memorable encounters. (Source: Amazon.com) The cover of the book is actually a family photograph showing Sam and his son Walker. It was taken by Jessica.